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Wall Street Greek houses the insights of Markos N. Kaminis, a leading Wall Street analyst and accredited financial columnist. The blog is an expert authored, syndicated business news resource, reaching reputable publishers and private networks. Our columnists offer value-added color to economic matters, stock and financial market news, and other interests of our affluent readership.


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Sunday, July 17, 2011

The Readers of Homer Thrills New York on its Epic Tour

readers of homer nyc New York
Wall Street Greek Film & Theatre Columnist Penelope Karageorge got the opportunity to partake in the New York City reading of Homer's Odyssey late last fall. Penelope provides a review of the touring event for you here. The Readers of Homer is a unique touring spectacle, using audience participation to maximize the fun. It has been taken the world over, including to Chios, Greece, a legendary home of Homer, and certainly the ancestral home of Wall Street Greek founder Markos Kaminis.

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The Readers of Homer Thrills New York on its Epic Tour



theatre criticHundreds of New Yorkers turned on to the master Greek poet Homer, with an extraordinary marathon reading of The Odyssey at New York’s 92ND St. Y. Staged by the Readers of Homer and led by the remarkable actor/theatre director Yiannis Simonides, this reading nourished the soul and the stomach. A dinner preceded the reading with succulent roast lamb, as well as other delicious Greek foods – many dishes replicating those found in The Odyssey, and wine. During the marathon, participants could step out for honey and yogurt reinforcement, or a glass of wine.

But the thrills didn’t stop there! Just as mind-blowing, LyrAvlos played hand-made instruments replicating those from the Homeric era. Fantastic! Represented in New York by Panagiotis, Olga and Michalis Stefas, LyrAvlos is totally unique. And the Choreo Dance Group! One had to be there at 1 a.m. when the dancers, dressed as sirens, lit up the theatre as they sinuously moved up the aisles.

Homer's OdysseyA total of two hundred readers participated, reading for between two and three minutes and remarkably, it proceeded as smoothly as moonlight on the Aegean. I was thrilled to be one of the readers, Number 59. Before the program, Simonides provided readers with complete instructions, via the charming Oxford U. graduate Stephania Xydia, PR woman for the program. I learned my exact minute, 23:26 and was given my lines. (Odysseus encountering the Cyclops in his cave)

Although I could have left the auditorium at any time previous to presenting, I found myself totally mesmerized. It was extraordinary to hear the great Homeric poetry read aloud. Although I’ve read and reread The Odyssey – kicking it off with a child’s version – and taught it at CUNY, The Readers of Homer brought vibrant life and color to Homer’s work.

The program began at 7 p.m., and ended at 8 a.m. with Four Meditations on War, a musical piece scored for bass-baritone and string quartet, conducted by composer Mark Latham. Created during some of the bleakest days of the war in Iraq, the composition reflected the complexity of the Homeric theme of war and all that arises from it: courage, cowardice, beauty, fulfillment, heroism and love.

Born in Constantinople and raised in Athens, Simonides is a Yale Drama School graduate and Emmy-award winning documentary producer. He has served as professor and chair of the NYU Tisch SOA Drama Department, and as executive director of COSMOS FM. He continues to tour the world with The Apology Project, a Socrates dramatization based on Plato, written and directed by the amazing Loukas Skipitaris.

Simonides and the Readers have brought Homer to Montevideo, Uruguay and Kos island in Greece. On April 30, 2011, the group staged a marathon reading of Homer’s Iliad at the Getty Villa in Malibu, California.

Readers of Homer can only be described as wonderful, an amazing group that we hope will flourish forever. We urge anybody who has the opportunity to attend and/or be a part of the Homeric readings to get involved. If you’re interested in participating or even making a contribution, you can go to the website: Thereadersofhomer.org

Homer forum

This article should interest investors in Disney (NYSE: DIS), DreamWorks Animation (NYSE: DWA), Cinemark Holdings (NYSE: CNK), Regal Entertainment (NYSE: RGC), RealD (NYSE: RLD), Lions Gate Entertainment (NYSE: LGF), Rentrak (Nasdaq: RENT), Carmike Cinemas (Nasdaq: CKEC), LYFE Communications (OTC: LYFE.OB), New Frontier Media (Nasdaq: NOOF), Public Media Works (OTC: PUBM.OB), Independent Film Development (OTC: IFLM.OB), Point 360 (Nasdaq: PTSX), Seven Arts Pictures (Nasdaq: SAPX), Affinity Medianetworks (OTC: AFFW.OB), Time Warner (NYSE: TWX), News Corp. (Nasdaq: NWSA), Vivendi (Paris: VIV.PA), Liberty Starz Group (Nasdaq: LSTZA), McGraw-Hill (NYSE: MHP), Pearson Plc (NYSE: PSO), John Wiley & Sons (NYSE: JW-A, NYSE: JW-B), Scholastic (Nasdaq: SCHL), Courier (Nasdaq: CRRC), Noah Education (NYSE: NED), Peoples Educational Holdings (Nasdaq: PEDH), Barnes & Noble (NYSE: BKS), Amazon.com (Nasdaq: AMZN), Books-A-Million (Nasdaq: BAMM) and Borders (NYSE: BGP), National Bank of Greece (NYSE: NBG), Hellenic Telecommunications (NYSE: OTE), Coca-Cola HBC (NYSE: CCH), Teekay Corp. (NYSE: TK), Navios Maritime Holdings (NYSE: NM), Navios Maritime Acquisition (NYSE: NNA), Navios Maritime Partners L.P. (NYSE: NMM), Tsakos Energy Navigation Ltd. (NYSE: TNP), Overseas Shipholding Group (NYSE: OSG), International Shipholding (NYSE: ISH), Excel Maritime Carriers (NYSE: EXM), Safe Bulkers (NYSE: SB), Claymore/Delta Global Shipping ETF (NYSE: SEA), Genco Shipping & Trading (NYSE: GNK), Diana Shipping (NYSE: DSX), Danaos (NYSE: DAC), Tsakos Energy Navigation (NYSE: TNP), Ship Finance Int'l (NYSE: SFL), Nordic American Tanker (NYSE: NAT), Seaspan (NYSE: SSW), General Maritime (NYSE: GMR), DHT Maritime (NYSE: DHT), Brunswick (NYSE: BC), Marine Products Corp. (NYSE: MPX), DryShips (Nasdaq: DRYS), Top Ships (Nasdaq: TOPS), Eagle Bulk Shipping (Nasdaq: EGLE), Sino-Global Shipping (Nasdaq: SINO), Paragon Shipping (Nasdaq: PRGN), K-SEA Transportation Partners (NYSE: KSP), Euroseas (Nasdaq: ESEA), Star Bulk Carriers (Nasdaq: SBLK), Omega Navigation (Nasdaq: ONAV), Knightsbridge Tankers Ltd. (Nasdaq: VLCCF), TBS Int'l (Nasdaq: TBSI), Golar LNG (Nasdaq: GLNG), Claymore/Delta Global Shipping (Nasdaq: XSEAX), American Commercial Lines (Nasdaq: ACLI).

Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

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Saturday, June 04, 2011

Grape Leaves

stuffed grape leaves
Wall Street Greek's Fine Arts contributor and New York Stories Columnist Nicholas Zaharakos sees more than a little of himself in this piece. "Grape Leaves," takes place in 1956. It is the world through the eyes of an eleven year-old boy. It speaks about ethnic and generational differences and how "ordinary people,"somehow manage to get by. Names have been changed to protect the innocent and... the guilty.

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Grape Leaves



storyteller“Mary Keenan, Felicia Annunziata, George Theodorou.” When Miss Toomey called me to pick up my composition entitled “Spring,” I thought there was a mistake. I thought she made a mistake because she gave out the highest graded papers last. Everyone knew that, even though when you shuffled up to her desk, she would hand you the paper turned over, so that nobody else was supposed to see the mark you got. I was used to getting D’s and C’s. Miss Toomey would give out the topic Friday afternoon.

“Class,” she would say, “In my 35 years of teaching fifth grade here at P.S. 92, I have come to believe firmly that writing well is the most important foundation for a good education. Now, I expect everyone to hand in their papers on Monday. Remember, I’ve been around the block a few times. No excuses, I’ve heard them all – the cat, the dog, even the canary ate it, will not be accepted.” She resolutely intoned.

She had a peculiar way of standing. Her arms would be hanging, not by her side, but more towards the back of the floral print dresses she wore. It was like someone was holding her from behind. She would squint long and hard. Pete Reilly, who ate the free cafeteria lunches with me, said, Miss Toomey still has glass imbedded in her eyes from a car accident. I don’t know if that was true, but I was sure of one thing, she didn’t like me.

“George, you don’t have to shout the Pledge of Allegiance to show patriotism. George, I can see brussels sprouts and potatoes growing out of your ears, George…”

Miss Toomey gave me a strange look when she handed back the single sheet of loose-leaf paper. I waited until I got back to my seat to turn the composition over. It was marked an “A”. She even wrote on the top, “this imaginative and touching.”

Walking home along treeless Nostrand Avenue, I tried to understand Miss Toomey. When I made up the stories I handed in, she thought I didn’t. When I told a true story, she figured it was something made up. Somehow, my brown briefcase seemed a lot heavier because of the “A” paper inside. I was also puzzled that she didn’t read any of the essays out loud today, as she did all the other times.

I paused by the Linden movie-house. They were featuring East of Eden, starring James Dean. My 15-year-old sister, Alexandra, who wanted everyone to call her Alix, pleaded with my mother to let her see it. She has a picture of the young movie star walking in Times Square in the rain. It’s taped on the wall on her side of the bedroom. On Grandmother Maria’s (Yiayia Maria) side are kept the dark-wooded Icons that she brought when she came from Greece.

Coming to my block, I looked up at the lamppost with the piece of rope swinging in the March wind. That is where we hung what they called an effigy of Casey Stengle, the manager of the New York Yankees. That was the best part of the celebration, after the Brooklyn Dodgers won the ’55 World Series from the “Yanks” last year. The cops made Rocky Pignataro climb back up there to cut the dummy down after the parade. Then they gave him some kind of summons that he tore up when they left.

“Georgie, Georgie! You want maybe to earn 15 cents to deliver a bundle to Mrs. Obermeyer on Maple Street?’ Stan, the Laundry-man, sang out in his Polish accent.

My family lived directly over his store in a railroad flat of six small rooms. My older twin brothers, Gus and Paul, and I were his pool of delivery boys. He never rang the doorbell. Stan just stepped out of the launderette, cupped his hands to his mouth, and yelled up for one of us. When it snowed, we would shovel a path around his property. He paid us according to the number of inches that fell.

“Georgie, give me your book bag, I’ll put it by the register.” In an instant, I was holding two pillowcases of fresh-smelling clothes, on my way to earning the price of a big bottle of Pepsi.

* * *


“How was school today?” My mother asked while rinsing escarole in the sink. The blue gingham apron was bright against her widow-black dress and sweater. My dad was killed in the last days of the war, two months before I was born.

“I got an “A” on my composition. Here, do you want to see it, Mom?” I asked eagerly while placing it on the kitchen table next to a pile of potato peelings on yesterday edition of the Daily Mirror.

“George, not there, it will get dirty. Save it for after supper.”

I put the composition on top of the refrigerator, between two boxes of cereal.

“We’re going to eat early. I have to go over to Mrs. Merrill’s to do some sewing.” She started to sponge clean the table. “See if you can find your brothers. Change your clothes first”

“Okay, mom,” I said softly.

* * *


It was the Greeks against the Irish in triangle at Al’s driveway. My brothers were playing against Smithy and Mike, who were also in the sixth grade. However, they went to St. Francis of Assisi on Lincoln Road. Triangle was a slap-ball contest we invented for when there weren’t enough guys to get up a regular baseball game.

There was no second base—first and third were the side bumps of the curb before it dipped to make it easy for cars to get in and out of the garage. The goal of the offense is to slap a grounder past the pitcher. The pink Spalding was delivered on one bounce. The hitter got two strikes. The defense was a pitcher between the two bases, and the catcher. Fouls were automatic outs, as well as hitting the opposite sidewalk on a fly. Home-plate and the scoreboard were written in chalk or with a piece of stone. A game takes about half an hour tops.

Smithy almost got creamed by a Buick going up the street as he headed for home. That made the score three up, bottom of the seventh.

“Georgie, you watch out for the cars and call the pitches.” My brother Paul whistled through chipped front teeth.

Smithy and Mike ended up winning, five to three. Both sides wanted to play another. When I told my brothers that mom wanted them home early, they settled for sips of my soda that I had bought at Tufano’s.

* * *


My yiayia sits at the head of the dining room table while we have our supper of pot roast. She wears a kerchief even indoors. She is hard of hearing and speaks broken English.

“You be good in school, you get a politician’s job,” she often sermonizes while nodding her head.

“Mom,” Alix announced, “for my ‘Sweet Sixteen,’ I want to use your bedroom for my guests to put their coats away.”

“And to play Post Office in,” butted in Gus.

I was tempted to laugh along with my two brothers, but Alix had murder in her eyes.

“Mom, please it’s bad enough that there will be hardly any room for us to dance and,”…she was searching for words…”and that we live in this dump…and…”

“Stop, Alexandra, if you go on about that again I won’t let you have the party. You expect me to have my own mother stay in her room like a prisoner because you’re afraid that she will embarrass you. If it weren’t for her cleaning homes on Maple Street I don’t know how I’d keep this family together.” Mom ended the heated discussion. “She will stay in the kitchen with me and that’s that.”

I felt sorry for Alix, who had told me about her plans. I had no idea there were so many details; the cokes would be iced in a large metal washbasin. The dining room table would be moved to the side and used for the chips and dips. Her best friend Kelly would have her father bring the hi-fi to play the 45’s. There would be plenty of Fats Domino, Bill Haley and The Comets, and some by the new guitar singer, Elvis Presley. They would alternate playing fast and slow music. The “Bunny Hop” and “Musical Chairs” would be used to get everybody up.

When supper was over, Gus and Paul were given permission to watch television over Smithy’s house, we didn’t have a set. I reminded my mother about my school paper.

“Georgie honey, tomorrow, I have no time now. I have to go over to Mrs. Merrill’s and use her sewing machine.” She kissed me, saying, “You help Alexandra, and be in bed by 8:30.”

I wanted to protest, but could see it wouldn’t do any good.

We cleaned around yiayia. As usual, she stayed at the table and had a cup of chamomile tea. She was the only person I knew who didn’t drink tea that was made with a tea bag.

I was drying the dishes as Alix handed them to me.

“Georgie, Kelly lent me Chuck Berry’s Wee Wee Hours and Maybelline. Do you think I should play those records?”

I shuddered, remembering my brothers saying that his songs had hidden messages about dope and cheating women. I was afraid they would explain them to my mother. “What are you going to do about Gus and Paul?”

“Pray,” she said with a laugh that tossed her ponytail. “I invited Rocky Pignataro and asked him to talk to the twin angels. He’ll set them straight. I’m really worried about yiayia though. Who knows? She may decide to dance the Greek Lindy!”

“Alix, do you want me to help decorate?”

“Sure Georgie, you can help blow up the balloons,” she smiled. “What’s this about you getting an “A” in school?”

I took the essay down from the refrigerator. “Here, do you want me to read it?” I asked anxiously.

“Yes, I’m glad at least one person around here isn’t a knucklehead.” She sat down as I started to recite.

Greek chef“Spring! In spring, the leaves on the grapevines grow back after the winter. Spring is the time when I go with my yiayia to pick them because then the leaves are tender.”

I glanced over the paper at Alix. Her eyes were big, and her mouth fell open. Everyone thought we bought the preserved leaves in a jar that the Lebanese sell on Atlantic Avenue.

“We go to the Italian houses. You can tell if a house is Italian if it has a big backyard. Sometimes they use the backyard to store junk metal or newspapers that they sell to the truckers. Sometimes they keep a pigeon coupe on top of a garage there. If you see a wood frame in the back then you know they have grape leaves growing on it. They use the grapes that appear in the fall for wine. My yiayia uses the leaves to stuff with meat, and to cook them like the Irish do with cabbage. My mother says that they were my father’s favorite meal.”

I peeked at Alix again. She stared at me just like Miss Toomey had done earlier. I was getting nervous as I finished quickly.

“We look to see that nobody is home, then we pick the leaves, but not too many from any one spot. If a door opens or if somebody yells, we run. My yiayia can run pretty fast. Also when I go to church with her, she makes me sneak under the turnstile so I don’t have to pay the subway fare. When we get home, she treats me to a Dixie Cup ice cream. She has me eat it in the bathroom so I don’t have to share it. My yiayia does other unusual things. When mom would make a Betty Crocker chocolate sheet cake yiayia would hide coins in wax paper for luck in the cake before it was iced. She also gives you a birthday card written in pencil. Then it disappears until the next birthday with another name over the eraser.”

“What do you think?”

Alix sat silently for the longest while.

“I think you should have gotten an A+” Alix started to laugh and cry at the same time as she hugged me. “And, the next time you and my yiayia go harvesting grape leaves, count me in.”

story writing forum message board chat

This article should interest investors in Disney (NYSE: DIS), DreamWorks Animation (NYSE: DWA), Cinemark Holdings (NYSE: CNK), Regal Entertainment (NYSE: RGC), RealD (NYSE: RLD), Lions Gate Entertainment (NYSE: LGF), Rentrak (Nasdaq: RENT), Carmike Cinemas (Nasdaq: CKEC), LYFE Communications (OTC: LYFE.OB), New Frontier Media (Nasdaq: NOOF), Public Media Works (OTC: PUBM.OB), Independent Film Development (OTC: IFLM.OB), Point 360 (Nasdaq: PTSX), Seven Arts Pictures (Nasdaq: SAPX), Affinity Medianetworks (OTC: AFFW.OB), Time Warner (NYSE: TWX), News Corp. (Nasdaq: NWSA), Vivendi (Paris: VIV.PA), Liberty Starz Group (Nasdaq: LSTZA), McGraw-Hill (NYSE: MHP), Pearson Plc (NYSE: PSO), John Wiley & Sons (NYSE: JW-A, NYSE: JW-B), Scholastic (Nasdaq: SCHL), Courier (Nasdaq: CRRC), Noah Education (NYSE: NED), Peoples Educational Holdings (Nasdaq: PEDH), Barnes & Noble (NYSE: BKS), Amazon.com (Nasdaq: AMZN), Books-A-Million (Nasdaq: BAMM), Borders (NYSE: BGP), National Bank of Greece (NYSE: NBG), Hellenic Telecommunications (NYSE: OTE), Coca-Cola HBC (NYSE: CCH), Teekay Corp. (NYSE: TK), Navios Maritime Holdings (NYSE: NM), Navios Maritime Acquisition (NYSE: NNA), Navios Maritime Partners L.P. (NYSE: NMM), Tsakos Energy Navigation Ltd. (NYSE: TNP), Overseas Shipholding Group (NYSE: OSG), International Shipholding (NYSE: ISH), Excel Maritime Carriers (NYSE: EXM), Safe Bulkers (NYSE: SB), Claymore/Delta Global Shipping ETF (NYSE: SEA), Genco Shipping & Trading (NYSE: GNK), Diana Shipping (NYSE: DSX), Danaos (NYSE: DAC), Tsakos Energy Navigation (NYSE: TNP), Ship Finance Int'l (NYSE: SFL), Nordic American Tanker (NYSE: NAT), Seaspan (NYSE: SSW), General Maritime (NYSE: GMR), DHT Maritime (NYSE: DHT), Brunswick (NYSE: BC), Marine Products Corp. (NYSE: MPX), DryShips (Nasdaq: DRYS), Top Ships (Nasdaq: TOPS), Eagle Bulk Shipping (Nasdaq: EGLE), Sino-Global Shipping (Nasdaq: SINO), Paragon Shipping (Nasdaq: PRGN), K-SEA Transportation Partners (NYSE: KSP), Euroseas (Nasdaq: ESEA), Star Bulk Carriers (Nasdaq: SBLK) and Omega Navigation (Nasdaq: ONAV).

Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

St. George Greek Orthodox Cathedral Philadelphia PA

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Sunday, April 17, 2011

Spinach and Rice

New York Stories

Spinach and Rice

Wall Street Greek's Fine Arts Contributor and New York Stories Columnist Nicholas Zaharakos offers us a Lenten treat that's not at all lean on humor, sprinkled with the witty antics of his "good boy" brother John. Apparently Spinach and Rice was spiritually filling to the Zaharakos clan for years after one such meal. (In photo from left to right, Nicholas' Yiayia Eleni, brother John and mother Panagiota)


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Spinach and Rice


New York storiesIn the Greek Orthodox Lenten Season there are dietary restrictions that can vary with respect to their severity. Some people give up eating meat on certain days others sacrifice dairy products as well as their beloved olive oil, up until the day of The Resurrection. Usually, the fast is kept more ardently by the older ones. That was the case in my family. My grandmother who lived with us in Brooklyn, fasted strictly for the entire 40 days of lent. However, I with my four brothers and two sisters, were the recipients of my mother's ingenuity to keep us meatless.


This was the time when food that certainly seemed strange to an eight year-old appeared. I can remember suppers of sandwiches with peanut butter, jelly, sliced bananas, and apples; another combination, was cream cheese and cucumbers on rye bread. I never knew there were that many different kinds of beans in the world until Lent. They were used in the various soups, salads, and side dishes that were constantly on the table.


One dish that stands out in my memory because my older brother John just couldn't stand it was spinach and rice (Spanakorizo in Greek}. Now, John was considered by all to be a good boy. I believed this was so for one reason only, and that was that he was very quiet.


At one particular Lenten Supper, spinach and rice was the main course. My mother, knowing of John's intense dislike for what was being served, offered him an incentive. If he would eat a plate full of spinach and rice, she would give him Greek butter cookies covered with confectionary sugar (Kourabiethes in Greek) as a treat. If he didn't finish the spinach and rice, he would get no cookies. Mom was known to say what she meant.


We lived in a railroad flat of six very small rooms over a Laundromat and the IRT subway line on Nostrand Avenue. This should say a lot about the financial and social condition of our family of seven children, two parents, and my mother's mother (Yiayia Eleni). An elderly Italian couple, the Santella's occupied the one apartment above us.


Mr. Santella as far as I could tell, didn't have a first name. He was Mr. Santella to one and all. Another thing was I doubted if I would live to see the day that he would be without an unlit stub of a cigar clenched in his yellow teeth. In summer he wore sleeveless T-shirts which exposed faded tattoos on both his arms. Night and day he would shuffle around in slippers. In the cold months, Mr. Santella would keep the coal burner going.


The delivery of coal was a wondrous event for me. A dark truck would park near the cellar opening. A huge dusty man wearing a leathery apron would open a chute on the side of the truck into a big barrel where the shinny coal would spill with loud clunks. Then he would roll the barrel by using hand-over-hand to the cellar. It would be tipped into a metal chute that ran the length of the stairs into another barrel at the bottom. Mr. Santella would be behind that barrel to steady it. The sound of that coal streaming down was the same as bacon sizzling in a pan.


Summer or winter, Mr. Santella was always in and out of that cellar. My father said that he hid his money there. My mother would chuckle and say, "No, that's where he banks the coal at night." All I know for sure was that it was Mr. Santella who had the only key to those heavy metal doors. Now, back to that fateful day when mom gave John the spinach and rice to eat.


Greek cooking recipesOur dining room, which was used as my sister's bedroom at night, was right off the kitchen. My father and yiayia were never in time for supper. My father would still be working in the restaurant, and my yiayia would be hanging out with her friends who had lost their hot-dog stands when the Brooklyn Dodgers had left the year before. That was okay, because the table wasn't big enough for everyone at once. When mom served supper she was usually scurrying back and forth, and she depended on "the eyes in the back of her head," that she said she had, to know if we were getting out of hand.


I can still see the glow in my mother's eyes because she was so pleased that John's plate was clean. I still remember that she gave John three Kourabiethes when she only gave me two. Just as she finished making sure that everyone was served cookies, there was loud knocking on the door.


The door was in the kitchen, and when my mother opened it, I could see Mr. Santella standing there with his bald head covered with a greenish mash, but with his cigar still in his mouth. My mother's name was Panagiota in Greek, Bertha in English. To Mr. Santella then, it was, "Hey Bertina, looka what happened to me."


My mother had a very infectious nervous laugh, similar to that of Lou Costello of the Abbott and Costello comedy team. Also, once she starts it takes a long time for her to stop. At that point, we all abandoned the dining room and gathered around our mother giggling uncontrollably. The seven of us with the widest eyes possible turned back and forth between mom and Mr. Santella to see what would happen next.


My spunky mother managed to straighten up and waved her arms over her seven "ducklings" by her side and through tears of merriment exclaimed! "Hey Mr. Santella, looka what happened to me."


Mr. Santella, to his everlasting credit, threw up his hands and started to laugh too, and, without losing his cigar, he turned and started up the stairs to his apartment. My mother didn't stop giggling until she went back to the dining room and put the kourabiethes that she had given John back into the metal container. For you see, it was quiet John who was seated next to the open window directly over the cellar below.

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Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.


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Sunday, February 27, 2011

Dogtooth Oscar Nominee for Best Foreign Film

Dogtooth Oscar Nominee for best foreign film Greek
Greek Film Flirts with Oscar!

Wall Street Greek Film & Theatre Columnist Penelope Karageorge takes a close look at Dogtooth, Greece's Oscar nominee for Best Foreign Film. Karageorge speaks with the film's stunned Writer/ Director Yorgos Lanthimos, and several others about the film and the Greek film industry, as Dogtooth takes the stage among the world's best.


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Dogtooth, Oscar Nominee for Best Foreign Film



Greek film criticGreece's Dogtooth, a ground-breaking, tragi-comic film written and directed by Yorgos Lanthimos, has been nominated for an Oscar for Best Foreign Language Film. Dogtooth faced enormous competition in the international arena, with 66 films from around the world in contention.

"Getting nominated was unexpected. It has made me and my collaborators extremely happy," Lanthimos exclaimed.

In Dogtooth, a husband and wife keep their children imprisoned in their house, where they play weird games and learn a language devised by their parents, while indulging in bizarre, sexless sex. It's funny, offensive, tragic and brilliant.

If Lanthimos was surprised, actor Christos Stergioglou, who plays the father, said he was "in a state of shock" over the nomination. "The film shows what stupidity can lead to – when you want to control everything, even under the pretext of love and protection. It is both a very serious and ridiculous subject!" Stergioglou said.

"This nomination is a fine tribute to Lanthimos," said NYC Greek Film Festival director James DeMetro. "He has made a strikingly original film that deserves the attention it has received worldwide. But the nomination is also wonderful for the Greek film industry. Greek films are shown all over the world, but the American market has been resistant and unwelcoming. This nomination is bound to attract attention to the Greek film industry. It sends a clear message that Greek filmmakers are turning out world class films that deserve to be seen."

The New York Greek Film Festival early committed to Dogtooth with a screening and panel discussion on the film, an event so successful that it had to move to a larger venue to accommodate an overflow crowd. An exceptional panel including Dan Georgakas, editor of Cineaste Film Quarterly; psychologist Dr. Tom Mallios; and Vangelis Caltychos, Columbia University professor, analyzed the film and discussed the intriguing issues that it raised.

A.O. Scott, film critic for The New York Times, pointed out: "Mr. Lanthimos is part of a Greek generation of filmmakers whose work is iconoclastic, formally daring and sometimes abrasive. These directors, in turn, are part of a loose network that spreads across much of the world, linked by the promise of festival exposure and the challenge of raising money in a worldwide climate of economic constriction."

"Their work is almost invisible here, though it commands a fair amount of attention in the flourishing and contentious cinephile wing of the blogosphere. But it is nonetheless available to anyone with the curiosity and patience to navigate the new, fast-evolving cosmos of V.O.D. and streaming Web video... a whole world of movies is out there waiting to be discovered."

Time Out New York senior film critic Joshua Rothkopf named Dogtooth one of the Ten Best Films of 2010.

The Oscars will be awarded tonight, Sunday, February 27, in Los Angeles. Films competing with Greece's Dogtooth include Denmark's A Better World; Canada's Incendies; Mexico's Biutiful; and Algeria's Outside the Law.

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This article should interest investors in Disney (NYSE: DIS), DreamWorks Animation (NYSE: DWA), Cinemark Holdings (NYSE: CNK), Regal Entertainment (NYSE: RGC), RealD (NYSE: RLD), Lions Gate Entertainment (NYSE: LGF), Rentrak (Nasdaq: RENT), Carmike Cinemas (Nasdaq: CKEC), LYFE Communications (OTC: LYFE.OB), New Frontier Media (Nasdaq: NOOF), Public Media Works (OTC: PUBM.OB), Independent Film Development (OTC: IFLM.OB), Point 360 (Nasdaq: PTSX), Seven Arts Pictures (Nasdaq: SAPX), Affinity Medianetworks (OTC: AFFW.OB), Time Warner (NYSE: TWX), News Corp. (Nasdaq: NWSA), Vivendi (Paris: VIV.PA), Liberty Starz Group (Nasdaq: LSTZA), McGraw-Hill (NYSE: MHP), Pearson Plc (NYSE: PSO), John Wiley & Sons (NYSE: JW-A, NYSE: JW-B), Scholastic (Nasdaq: SCHL), Courier (Nasdaq: CRRC), Noah Education (NYSE: NED), Peoples Educational Holdings (Nasdaq: PEDH), Barnes & Noble (NYSE: BKS), Amazon.com (Nasdaq: AMZN), Books-A-Million (Nasdaq: BAMM) and Borders (NYSE: BGP), National Bank of Greece (NYSE: NBG), Hellenic Telecommunications (NYSE: OTE), Coca-Cola HBC (NYSE: CCH), Teekay Corp. (NYSE: TK), Navios Maritime Holdings (NYSE: NM), Navios Maritime Acquisition (NYSE: NNA), Navios Maritime Partners L.P. (NYSE: NMM), Tsakos Energy Navigation Ltd. (NYSE: TNP), Overseas Shipholding Group (NYSE: OSG), International Shipholding (NYSE: ISH), Excel Maritime Carriers (NYSE: EXM), Safe Bulkers (NYSE: SB), Claymore/Delta Global Shipping ETF (NYSE: SEA), Genco Shipping & Trading (NYSE: GNK), Diana Shipping (NYSE: DSX), Danaos (NYSE: DAC), Tsakos Energy Navigation (NYSE: TNP), Ship Finance Int'l (NYSE: SFL), Nordic American Tanker (NYSE: NAT), Seaspan (NYSE: SSW), General Maritime (NYSE: GMR), DHT Maritime (NYSE: DHT), Brunswick (NYSE: BC), Marine Products Corp. (NYSE: MPX), DryShips (Nasdaq: DRYS), Top Ships (Nasdaq: TOPS), Eagle Bulk Shipping (Nasdaq: EGLE), Sino-Global Shipping (Nasdaq: SINO), Paragon Shipping (Nasdaq: PRGN), K-SEA Transportation Partners (NYSE: KSP), Euroseas (Nasdaq: ESEA), Star Bulk Carriers (Nasdaq: SBLK), Omega Navigation (Nasdaq: ONAV), Knightsbridge Tankers Ltd. (Nasdaq: VLCCF), TBS Int'l (Nasdaq: TBSI), Golar LNG (Nasdaq: GLNG), Claymore/Delta Global Shipping (Nasdaq: XSEAX), American Commercial Lines (Nasdaq: ACLI).

Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

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Saturday, February 26, 2011

How My Father Learned to Love Spaghetti and Panagiota Too

how my father learned to love spaghetti and Panagiota too Zaharakos
New York Stories

Wall Street Greek's New York Short Story Writer and Story Teller Nicholas Zaharakos shares with us a wonderful love story, intimate to his own heart. The story telling of his parents' courtship has a lovely nuance, a comedic twist that will raise an eyebrow and inspire a smile.

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Nick shares with us the spark that started his pen in this instance...

New York storiesI had an embarrassing experience at work last year. I completely forgot my personal password for the computer that I use there. After five futile attempts at trying to remember it, the security feature for the machine completely shut it down. I was forced to leave a message on the voice mail of the Management Information Services Department (MIS for short), explaining my predicament and humbly asking for help.

They let me wait a few hours (I guess to teach me a lesson). Then a technician, who probably knows that he makes far less than I do, paid my office a visit. He performed a lot of rapid-fire keystrokes that had me bewildered, but unfroze the computer. He then asked me to key in a new password that he hoped I would somehow be able to remember. I was going to grab a couple of slices of pizza for lunch, and because that was on my mind, I decided to use pizza as my password. That worked out well, so when I had to replace that password as required after sixty days I used bagel as the next one. Since then, I have selected a different food item and have yet to plead with MIS to get me out of the "I forgot my secret password, and I never wrote it down someplace sad song."

This little episode made me realize how important food is in my life. Indeed, my family name of Zaharakos comes from the Greek word for sugar, "Zahari". When someone pins me with the ethnic tag, "you're Greek!" My reply has become, "I'm also as American as Spinach Pie!" I have grown (quite literally grown) from being one of seven small children living with grandparents as well as Mom and Dad in a small railroad flat, searching in the refrigerator for something to eat and only finding the makings for a ketchup sandwich. Now I pray for the strength to resist the temptations of rich deserts, my biggest enemy is anything made of chocolate. I now count calories, and have at times gone through the agonies of the "D" word, a diet.

Now, or it's about time, to the real food story.

How My Father Learned to Love Spaghetti and Panagiota Too



One of my father's first jobs I'm told was at Harry's Restaurant, in Brooklyn. Harry always wore a bow tie and was known never to take off his jacket or step into the hot kitchen. His post was the cash register. My father's name was Stavros, which was Americanized to Steve. He became one of the cooks, and worked long hours six and sometimes seven days a week. He would naturally take his meal break during a slow time of the day. There was a certain type of unspoken etiquette at that time that was recognized by eating places that ranged from small coffee shops with just stools to fancy and expensive restaurants. That is, that the help was supposed to eat well. The only thing that they had to pay for if they smoked, were cigarettes. My father quickly developed a fondness for steak, probably because he came from an impoverished village where meat was scarce.

When my father first started to regularly sit down for a steak dinner in a booth just outside the kitchen, Harry would walk by and say in his thick accent and with a finger wagging, "Steef, steak no good for you, Steef, steak no good for you." Harry was obviously a bottom line man. My father tried to ignore these admonitions, even though he knew that the restaurant business was not a democratic institution. Also, in short time my father started to have company during his late afternoon meal break; a young woman named Panagiota, Bertha in English (who eventually became my mother). Now, when Harry would scold my father about his steak eating habits, the stakes were much higher. My father needed to keep his job just as much he wanted to impress Panagiota.

One of the perennials on the menu was spaghetti. It was precooked. When needed, you just grabbed a handful of it; put it in a strainer into a pot of boiling water that was kept on the stove. The spaghetti became hot in a minute, ready to accompany meatballs or clams or other sauce. Almost overnight, my father started having a strange addiction for spaghetti. Every day, he would heap a mountain of it on his plate with butter and cheese.

Now when Harry would inspect as he walked by he would nod his head and pleasantly exclaim, "Steef, spaghetti good for you, spaghetti good for you, Steef." When Harry was back safely at the cash register, my father would lift off the spaghetti with his fork and enjoy the steak hidden underneath.

I am just as sure, (though remember, I wasn't around then) that he also doubly enjoyed the company of Panagiota too.

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Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

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Wednesday, February 23, 2011

Wall Street Fandango

Wall Street Fandango
Director Stephan Morrow Directs Brilliant, Uncon- ventional Shisgal Comedy

Wall Street Greek Film and Theatre Columnist Penelope Karageorge gets into the creative mind of Greek-American Director Stephan Morrow, as the two discuss famed Playwright Murray Shisgal's work, Wall Street Fandango.


(Photo left to right: Playwright Murray Shisgal, Director Stephan Morrow, Director Ulu Grosbard, actress Rose Gregorio, a Tony nominee)

Article interests NYSE: DIS, NYSE: DWA, NYSE: CNK, NYSE: RGC, NYSE: RLD, NYSE: LGF, Nasdaq: RENT, Nasdaq: CKEC, Nasdaq: LSTZA, NYSE: MHP, NYSE: PSO, NYSE: JW-A, NYSE: JW-B, Nasdaq: SCHL, Nasdaq: CRRC, NYSE: NED, Nasdaq: PEDH, NYSE: BKS, Nasdaq: AMZN, Nasdaq: BAMM, NYSE: BGP, OTC: LYFE.OB, Nasdaq: NOOF, OTC: PUBM.OB, OTC: IFLM.OB, Nasdaq: PTSX, Nasdaq: SAPX, OTC: AFFW.OB, NYSE: TWX, Nasdaq: NWSA and Paris: VIV.PA, NYSE: NBG, NYSE: OTE, NYSE: CCH, NYSE: TK, NYSE: NM, NYSE: NNA, NYSE: NMM, NYSE: TNP, NYSE: OSG, NYSE: ISH, NYSE: EXM, NYSE: SB, NYSE: SEA, NYSE: GNK, NYSE: DSX, NYSE: DAC, NYSE: TNP, NYSE: SFL, NYSE: NAT, NYSE: SSW, NYSE: GMR, NYSE: DHT, NYSE: BC, NYSE: MPX, Nasdaq: DRYS, Nasdaq: TOPS, Nasdaq: EGLE, Nasdaq: SINO, Nasdaq: PRGN, NYSE: KSP, Nasdaq: ESEA, Nasdaq: SBLK, Nasdaq: ONAV, Nasdaq: VLCCF, Nasdaq: TBSI, Nasdaq: GLNG, Nasdaq: XSEAX, Nasdaq: ACLI.

Wall Street Fandango



Film and TheatreCan dynamic director Stephan Morrow succeed in bringing Wall Street Fandango, an absurdist tragic-comedy by Murray Shisgal, to the Broadway stage? In Fandango, two financial industry men – a super-successful, rule-breaking bon vivant and a plodding hedge-fund manager - forge a close friendship that leads ultimately to a reversal of fortunes. Fandango is timely, provocative, hilarious, and smart. It takes risks with performer duets, a "rap" solo, a ballet interlude, and breaking the fourth wall – performers addressing the audience directly.

We talked with Greek-American Morrow (originally Morros - changed by a grandfather) at The Cupcake, a coffee shop near The Actor's Studio. Loaded with opinions, Morrow could easily be at home in Europe's talking capital, Athens, a city for which he claims an affinity.

"Drop the N word from your vocabulary," Morrow insists, kicking off our conversation. "Networking is the N word. You have to develop collegiate relationships with people, with fellow artists, with colleagues. You're not selling shoes. Networking does not apply to the arts!" Morrow leans across the table, his face dark with concern.

Morrow segues from personality to personality as he talks. "I was very influenced by Elia Kazan. He really gave me a break when he mentored me into The Actor's Studio in the mid-eighties. I learned dramaturgy from Kazan. I learned structure from Kazan. He was the moderator in the unit, so I'm pretty astute about why a play does or doesn't play."

A long collaboration with Norman Mailer led to his staging Mailer's The Deer Park at the Actor's Studio. Playwright Shisgal saw the work, was impressed, and asked Morrow to direct Wall Street Fandango. Morrow hadn't known Shisgal, the author of the enormously successful Broadway hit Luv and co-author of the film Tootsie, despite the fact that they were both in the playwright/director unit at The Actors Studio. "I noticed this older man who would occasionally bring a lot of gravitas to his criticism. I was flattered when Murray offered me the play."

Morrow read the script with astonishment and delight. "I found it better and more literate than about ninety percent of what I'd seen on Broadway," Morrow recalls. "What I like most about it is that it's not TV writing on stage, which just bores the hell out of me. There's a difference. There's the voice of the playwright and there's an emotional action forward. Don't forget. Stage is part of ritual, and there's magic."

At three staged readings, audiences gave a major "thumbs up" to Wall Street Fandango, and 45 Bleecker committed to giving the play a run. But overnight and without warning, the theatre was forced to close, sending Fandango into production limbo.

But Morrow's not giving up on Wall Street Fandango. "I honestly believe it will make it to Broadway, and when it does, it will be a huge hit and play forever." Of course he would be delighted to meet with any Greek or other "angels" with a love of and instinct for good theatre!

Meanwhile The Theatre for the New City has commissioned him to direct a play by an L.A. writer, John Steppling, Dogmouth. "It's about hobos on trains, like Aryan nation guys – they're despicable but it's good writing. I always try to find the humor in the dramas I direct. If I see a production, and there's nothing to laugh about, I figure there's something wrong with it. Everything has humor in it. Hamlet has humor."

A veteran of the Off Off-Broadway arena, Morrow is dedicated to keeping modern classics alive, and founded The Great American Play Series. Morrow grew up in the Fort Hamilton section of Brooklyn. A graduate of the University of Buffalo, he began his theatre career at the Now Theatre Repertory Company in Buffalo.

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This article should interest investors in Disney (NYSE: DIS), DreamWorks Animation (NYSE: DWA), Cinemark Holdings (NYSE: CNK), Regal Entertainment (NYSE: RGC), RealD (NYSE: RLD), Lions Gate Entertainment (NYSE: LGF), Rentrak (Nasdaq: RENT), Carmike Cinemas (Nasdaq: CKEC), LYFE Communications (OTC: LYFE.OB), New Frontier Media (Nasdaq: NOOF), Public Media Works (OTC: PUBM.OB), Independent Film Development (OTC: IFLM.OB), Point 360 (Nasdaq: PTSX), Seven Arts Pictures (Nasdaq: SAPX), Affinity Medianetworks (OTC: AFFW.OB), Time Warner (NYSE: TWX), News Corp. (Nasdaq: NWSA), Vivendi (Paris: VIV.PA), Liberty Starz Group (Nasdaq: LSTZA), McGraw-Hill (NYSE: MHP), Pearson Plc (NYSE: PSO), John Wiley & Sons (NYSE: JW-A, NYSE: JW-B), Scholastic (Nasdaq: SCHL), Courier (Nasdaq: CRRC), Noah Education (NYSE: NED), Peoples Educational Holdings (Nasdaq: PEDH), Barnes & Noble (NYSE: BKS), Amazon.com (Nasdaq: AMZN), Books-A-Million (Nasdaq: BAMM) and Borders (NYSE: BGP), National Bank of Greece (NYSE: NBG), Hellenic Telecommunications (NYSE: OTE), Coca-Cola HBC (NYSE: CCH), Teekay Corp. (NYSE: TK), Navios Maritime Holdings (NYSE: NM), Navios Maritime Acquisition (NYSE: NNA), Navios Maritime Partners L.P. (NYSE: NMM), Tsakos Energy Navigation Ltd. (NYSE: TNP), Overseas Shipholding Group (NYSE: OSG), International Shipholding (NYSE: ISH), Excel Maritime Carriers (NYSE: EXM), Safe Bulkers (NYSE: SB), Claymore/Delta Global Shipping ETF (NYSE: SEA), Genco Shipping & Trading (NYSE: GNK), Diana Shipping (NYSE: DSX), Danaos (NYSE: DAC), Tsakos Energy Navigation (NYSE: TNP), Ship Finance Int'l (NYSE: SFL), Nordic American Tanker (NYSE: NAT), Seaspan (NYSE: SSW), General Maritime (NYSE: GMR), DHT Maritime (NYSE: DHT), Brunswick (NYSE: BC), Marine Products Corp. (NYSE: MPX), DryShips (Nasdaq: DRYS), Top Ships (Nasdaq: TOPS), Eagle Bulk Shipping (Nasdaq: EGLE), Sino-Global Shipping (Nasdaq: SINO), Paragon Shipping (Nasdaq: PRGN), K-SEA Transportation Partners (NYSE: KSP), Euroseas (Nasdaq: ESEA), Star Bulk Carriers (Nasdaq: SBLK), Omega Navigation (Nasdaq: ONAV), Knightsbridge Tankers Ltd. (Nasdaq: VLCCF), TBS Int'l (Nasdaq: TBSI), Golar LNG (Nasdaq: GLNG), Claymore/Delta Global Shipping (Nasdaq: XSEAX), American Commercial Lines (Nasdaq: ACLI).

Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

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Sunday, January 09, 2011

New York City Greek Film Festival of 2010

New York City Greek Film Festival 2010
Fearless, Passionate & Original!

Wall Street Greek's Theatre & Film Columnist Penelope Karageorge leads off her foray into the blogosphere with her critical review of the fearless films and filmmakers of the New York City Greek Film Festival of 2010.


Article interests NYSE: DIS, NYSE: DWA, NYSE: CNK, NYSE: RGC, NYSE: RLD, NYSE: LGF, Nasdaq: RENT, Nasdaq: CKEC, Nasdaq: LSTZA, NYSE: MHP, NYSE: PSO, NYSE: JW-A, NYSE: JW-B, Nasdaq: SCHL, Nasdaq: CRRC, NYSE: NED, Nasdaq: PEDH, NYSE: BKS, Nasdaq: AMZN, Nasdaq: BAMM, NYSE: BGP, OTC: LYFE.OB, Nasdaq: NOOF, OTC: PUBM.OB, OTC: IFLM.OB, Nasdaq: PTSX, Nasdaq: SAPX, OTC: AFFW.OB, NYSE: TWX, Nasdaq: NWSA and Paris: VIV.PA, NYSE: NBG, NYSE: OTE, NYSE: CCH, NYSE: TK, NYSE: NM, NYSE: NNA, NYSE: NMM, NYSE: TNP, NYSE: OSG, NYSE: ISH, NYSE: EXM, NYSE: SB, NYSE: SEA, NYSE: GNK, NYSE: DSX, NYSE: DAC, NYSE: TNP, NYSE: SFL, NYSE: NAT, NYSE: SSW, NYSE: GMR, NYSE: DHT, NYSE: BC, NYSE: MPX, Nasdaq: DRYS, Nasdaq: TOPS, Nasdaq: EGLE, Nasdaq: SINO, Nasdaq: PRGN, NYSE: KSP, Nasdaq: ESEA, Nasdaq: SBLK, Nasdaq: ONAV, Nasdaq: VLCCF, Nasdaq: TBSI, Nasdaq: GLNG, Nasdaq: XSEAX, Nasdaq: ACLI.

New York City Greek Film Festival of 2010



Greek filmsThis past year's New York City Greek Film Festival unreeled a dazzling array of new Greek films – audacious, controversial, entertaining, thought-provoking cinema with that special "Made in Greece" stamp. The best films from Greece refuse to play it safe. Greek auteurs are fearless, passionate, and original.

STRELLA - Strella takes us on the emotional journey of a transsexual and her father. An extraordinary film, it works on many levels: as tragedy, as comedy, as sheer entertainment, as a moving human drama. Writer/director Panos Koutras coaxed brilliant performances out of non-theatrical actors (A transsexual who looked like Maria Callas was not easy to cast). Mina Orfanou won the Hellenic Film Academy's Best Actress award for her unforgettable portrayal of Strella. Yannis Kokiasmenos was superb as the father, and Betty Vakalidou unforgettable as Mary, a surrogate mother. A gritty, close-up look at a fascinating subculture.

the Building ManagerTHE BUILDING MANAGER - A Greek family man suffers through a midlife crisis. He's caught between the devil (a sexy girl half his age whom he encounters in the Eden-like nursery where he goes to buy trees) and the deep blue sea (his mother) – and, of course, his wife. Hats off to the auteur Periklis Hoursoglou, who wrote, directed and starred in the film, with his real-life wife, Vangelio Andreadaiki playing his wife, and their two sons cast as sons in the film. An absorbing film - warm, human with an insightful take on contemporary Greek life.

PLATO'S ACADEMY - What's not to love about a gentle comedy featuring four Greek slackers who spend their time watching, and criticizing Albanian immigrants working around them? Antonis Kafetzopoulos gives a brilliant performance as Stavros, capturing all the nuances of this likeable loser. Separated from his wife, Stavros lives with his mother. When mama discovers a "lost" Albanian son, Stavros asks in dismay: could he be Albanian? This subtle, funny, ironic movie brings its point home: the new Greece has arrived. A delightful performance by Titika Sarigouli as the mother. Filippos Tsitos directed and co-wrote the film.

THE ISLAND - The Number One Top Grossing Film of the Year in Greece, it's another example of what Greeks do superbly: satire, lampooning themselves in the spirit of Aristophanes. Who killed the prominent citizen in the close-knit village? The police chief, the mayor, the priest, the sexy widow, the young son of the police chief who wants to design women's clothing? Everyone has a past and a delicious secret to hide. The performances are right-on in this fast-paced, well-written film directed by Christos Dimas. It's not always politically correct, occasionally tasteless, but extremely entertaining.

Black FieldBLACK FIELD - Magnificent cinema- tography characterizes this unusual film written and directed by Vardis Marinakis. The year is 1654. A Janissary (a Greek recruited by force at a young age to serve in the Turkish army) turns up wounded at a remote cloister. A nun with a dark secret (she's actually a man) nurses him to health. The two flee into the woods together. Despite a muddled screenplay, the film's eroticism and scenery saves it. Won the Hellenic Film Academy's Award for Best Cinematography.

AMERICA, AMERICA - A work of art by the brilliant Greek-American Elia Kazan, the film chronicles his uncle's struggle to go from Anatolia to the USA. This was Kazan's personal favorite, and he put his heart and soul into the production. The cinematography is extraordinary, as are many of the performances including the lead played by Kazan discovery and Golden Globe Award winner Stathis Giallelis, taking the honors for "New Star of the Year" for his performance in the film. After the screening, the actor, who lives in New York, was interviewed by noted film critic Foster Hirsch. Giallelis offered a fascinating look at Kazan and the making of the film, including Kazan's obsession to get all the details right. Released in 1963, the film has been remastered and is available in DVD - a must for any Greek-American film lover.

DARK ODYSSEY - Set mostly in New York's Washington Heights in the 1950's, this Greek-American classic, written and directed by William Kyriakis and Radley Metzger, stars the remarkable Athan Karas. A Greek sailor jumps ship in New York and goes looking for the man who ruined his sister's life. But the sailor falls in love, goes to a party at a Greek home, and dances. Karas, who died last year, made an extraordinary contribution to Greek dance in America, and does an unforgettable dance on screen. Cineaste editor Dan Georgakas, director Metzger, and actor Lowell Byers, grandson of Karas, offered their insights on Dark Odyssey after the screening.

Four Black SuitsFOUR BLACK SUITS - A comedy written, directed and starring Renos Haralambidis, who also wrote the film score! Two down and out undertakers, an unsuccessful actor, and an ex-con try to turn their lives around. On the promise of a large fee, they carry out the dying wish of a Greek who lived abroad to carry his body, on foot, from Athens to his native village. We happen to love Haralambidis, so we'll go and see just about anything he does. Won the Audience Award at LA's Greek Film Festival.

DOGTOOTH - In this award-winning Greek drama from young director Yorgos Lanthimos, a husband and wife keep their children imprisoned in their house. The teenagers play weird games, learn a language devised by their parents to further cut them off from the world, and engage in bizarre, sexless sex. It's funny, offensive, tragic, and brilliant. The film played to a packed house at NYU'S Cantor Film Center, followed by a panel discussion with Dan Georgakas, Cineaste Editor; Vangelis Calotychos, professor, Columbia U., and psychologist Dr. Thomas Mallios.

COLOSSI OF LOVE - A documentary focusing on the Kamaki, the young suitors who perfected the art of seducing tourists in the '70's and 80's. To make this doc, director Nikos Mystriotis interviewed many of the Kamaki who waxed nostalgic about the time, the girls, the dancing, what they wore and the fun they had.

With Heart and SoulWITH HEART AND SOUL - Written and directed by Pandelia Voulgaris, this epic of the Greek Civil war focuses on two brothers who find themselves on opposite sides. Voulgaris, one of Greece's seminal film makers, dedicated the film to the thousands of victims who lost their lives on both sides of the conflict. Wonderful in so many ways, the film offers a great deal to admire – including Voulgaris's heart-rending depiction of young fighters who tease each other, kill each other, and even fall in love.

SUGARTOWN - Directed by Kimos Tsakiris, this important documentary takes an in-depth look at Zacharo (Sugartown) in the Western Peloponnese, almost destroyed in the fires of 2007. A total of 45 residents lost their lives, but the money provided to rebuild this community was lost or misused. The mayor behind much of the scandal blatantly tells almost all.

Three delightful shorts by Greek-American teenagers, winners in the No Limits 2010 competition co-sponsored by The National Herald and The New York City Film Festival, rounded out the festival: DE NADA: directed by Gracie Brett, 13; DON'T BE A LIAR, Mafia Stories Part II, directed by Dennis Latos, 18; and AROMA, directed by Michael Kontaxis, 16.

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This article should interest investors in Disney (NYSE: DIS), DreamWorks Animation (NYSE: DWA), Cinemark Holdings (NYSE: CNK), Regal Entertainment (NYSE: RGC), RealD (NYSE: RLD), Lions Gate Entertainment (NYSE: LGF), Rentrak (Nasdaq: RENT), Carmike Cinemas (Nasdaq: CKEC), LYFE Communications (OTC: LYFE.OB), New Frontier Media (Nasdaq: NOOF), Public Media Works (OTC: PUBM.OB), Independent Film Development (OTC: IFLM.OB), Point 360 (Nasdaq: PTSX), Seven Arts Pictures (Nasdaq: SAPX), Affinity Medianetworks (OTC: AFFW.OB), Time Warner (NYSE: TWX), News Corp. (Nasdaq: NWSA), Vivendi (Paris: VIV.PA), Liberty Starz Group (Nasdaq: LSTZA), McGraw-Hill (NYSE: MHP), Pearson Plc (NYSE: PSO), John Wiley & Sons (NYSE: JW-A, NYSE: JW-B), Scholastic (Nasdaq: SCHL), Courier (Nasdaq: CRRC), Noah Education (NYSE: NED), Peoples Educational Holdings (Nasdaq: PEDH), Barnes & Noble (NYSE: BKS), Amazon.com (Nasdaq: AMZN), Books-A-Million (Nasdaq: BAMM) and Borders (NYSE: BGP), National Bank of Greece (NYSE: NBG), Hellenic Telecommunications (NYSE: OTE), Coca-Cola HBC (NYSE: CCH), Teekay Corp. (NYSE: TK), Navios Maritime Holdings (NYSE: NM), Navios Maritime Acquisition (NYSE: NNA), Navios Maritime Partners L.P. (NYSE: NMM), Tsakos Energy Navigation Ltd. (NYSE: TNP), Overseas Shipholding Group (NYSE: OSG), International Shipholding (NYSE: ISH), Excel Maritime Carriers (NYSE: EXM), Safe Bulkers (NYSE: SB), Claymore/Delta Global Shipping ETF (NYSE: SEA), Genco Shipping & Trading (NYSE: GNK), Diana Shipping (NYSE: DSX), Danaos (NYSE: DAC), Tsakos Energy Navigation (NYSE: TNP), Ship Finance Int'l (NYSE: SFL), Nordic American Tanker (NYSE: NAT), Seaspan (NYSE: SSW), General Maritime (NYSE: GMR), DHT Maritime (NYSE: DHT), Brunswick (NYSE: BC), Marine Products Corp. (NYSE: MPX), DryShips (Nasdaq: DRYS), Top Ships (Nasdaq: TOPS), Eagle Bulk Shipping (Nasdaq: EGLE), Sino-Global Shipping (Nasdaq: SINO), Paragon Shipping (Nasdaq: PRGN), K-SEA Transportation Partners (NYSE: KSP), Euroseas (Nasdaq: ESEA), Star Bulk Carriers (Nasdaq: SBLK), Omega Navigation (Nasdaq: ONAV), Knightsbridge Tankers Ltd. (Nasdaq: VLCCF), TBS Int'l (Nasdaq: TBSI), Golar LNG (Nasdaq: GLNG), Claymore/Delta Global Shipping (Nasdaq: XSEAX), American Commercial Lines (Nasdaq: ACLI).

Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

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Sunday, December 26, 2010

Film & Theatre, by Karageorge

film & theatre




Penelope Karageorge

Columnist









Film & Theatre



A freelance journalist, Penelope Karageorge writes frequently about film and theatre. She is the author of a crime novel, Murder at Tomorrow (Walker Publishing), Stolen Moments (Pinnacle Press) and a poetry collection, Red Lipstick and the Wine-Dark Sea (Pella Publishing). Her short stories have been published in journals as diverse as Mouth Full of Bullets and The Charioteer. Penelope began her career as a Newsweek reporter, interviewing luminaries including Bette Davis and Cary Grant. She was publicity director of People magazine. She's currently developing her original film script, a romantic comedy set on the Greek island of Lemnos, Drinking the Sun.

"It is our great pleasure to welcome this accredited reporter to our family of columnists. Penelope, like so many of our writers, is someone we share coffee and commentary with regularly, and whose company we enjoy. We are absolutely thrilled to bring her critical film and theatre reviews to you, for the coloring of your cultural life."

Markos N. Kaminis

Penelope's Articles:



Full Disclosure: Penelope has agreed to Wall Street Greek policy to avoid the authoring of articles about securities she personally owns or holds beneficial interest in. In the event of a special case, we expect Penelope will make full disclosure of ownership or beneficial interest, which is her responsibility. The work of contributors to Wall Street Greek is their own, and may not necessarily agree with the opinion of the site or its founder, and does not constitute financial advice. Please see our full disclosure at Wall Street Greek.

Article interests NYSE: DIS, NYSE: DWA, NYSE: CNK, NYSE: RGC, NYSE: RLD, NYSE: LGF, Nasdaq: RENT, Nasdaq: CKEC, Nasdaq: LSTZA, NYSE: MHP, NYSE: PSO, NYSE: JW-A, NYSE: JW-B, Nasdaq: SCHL, Nasdaq: CRRC, NYSE: NED, Nasdaq: PEDH, NYSE: BKS, Nasdaq: AMZN, Nasdaq: BAMM, NYSE: BGP, OTC: LYFE.OB, Nasdaq: NOOF, OTC: PUBM.OB, OTC: IFLM.OB, Nasdaq: PTSX, Nasdaq: SAPX, OTC: AFFW.OB, NYSE: TWX, Nasdaq: NWSA and Paris: VIV.PA.

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Sunday, December 05, 2010

Pandora and Aristotle

Pandora and Aristotle, a midsummer night's swing
A Midsummer Night's Swing

Nicholas Zaharakos, a short story writer and columnist within Wall Street Greek's Fine Arts team, cooks up O'Henry-style New York tales, flavored with a unique ethnic spice. He tells a mix of original stories that address social issues, and poignant family tales with universal themes.

(Relative Tickers: NYSE: MHP, NYSE: PSO, NYSE: JW-A, Nasdaq: SCHL, Nasdaq: CRRC, NYSE: NED, Nasdaq: PEDH, Nasdaq: AMZN, Nasdaq: EBAY, NYSE: BKS, NYSE: BID, NYSE: LTD, Nasdaq: BAMM, NYSE: BGP, Nasdaq: HSNI, NYSE: RUK, NYSE: ENL, NYSE: MDP, Nasdaq: DEXO, NYSE: DM, NYSE: MSO, NYSE: PRM, Nasdaq: PRVT, Nasdaq: SPRO, NYSE: NYT, NYSE: WPO, NYSE: MNI, NYSE: SSP, NYSE: MEG, NYSE: LEE, NYSE: JRN, NYSE: GCI, Nasdaq: DJCO, NYSE: AHC, NYSE: DIS, NYSE: TWC, NYSE: TWX, NYSE: NWS, Nasdaq: NWSA, NYSE: BK, NYSE: NYB, Nasdaq: NYMT, NYSE: NWY, Nasdaq: PBNY)

Pandora and Aristotle



New York storiesPandora Alepou was the kind of woman who could make Telly Savalas feel like he had a pompadour. Some would say that she was a foxy temptress. Those that knew her better would say that she was downright evil forbidden fruit. Pandora would wear on the street what other women would wear to bed - when they wanted to be extra naughty.

On this sultry twilight in August, Pandora was slinking down Columbus Avenue. Her Victoria's Secret intimates had her bubbling over the short blue iridescent shift she was wearing. She was a cat on the prowl. Her hunting ground was the "Midsummer's Night Swing," dance soiree held in the plaza at Lincoln Center. She was out to have a hot time on a hot summer night. It hadn't rained in weeks, although heavy showers had been forecast for the past three days. Heads turned as the thin dress moistly clung to each contour of her body.

On the wide boulevard the upscale outdoor cafes were jammed with boisterous New Yorker's drinking iced concoctions to fend off the humidity. Pandora was about to cross the street when a sparkle caught the corner of her eye.

Pandora's first impression was of fireflies glowing against the darkening day. She quickly went over to the little stand by the curbside. Suspended by lanyards were hand crafted silver earrings. Each pair was unique with exquisite miniature Tiffany Lamp like designs. She was so captivated by their beauty that she didn't notice the slight man seated in a folding chair that was selling them. When he offered to help her, she had another shock to her senses - for he was a hunchback.

The man offered for her closer inspection his handiwork with cupped hands. Pandora thought that these must be the long veined hands that Rodin would have been proud to sculpt. Pandora with innate malevolence wiggled and jiggled in order to get a rise out of him. Only his innocent brown eyes met her hard green ones. Pandora shrugged and selected a pair of globe earrings that brilliantly reflected the light from the lamppost through its scarlet, lavender, and citron plastic resin.

Pandora didn't put her purchase into her Betty Boop disco bag. Instead, next to the diamond studs that she had promoted from a married real estate executive, she put her newly found treasure into those earlobe pierced openings that had anticipated a birthday present from a stock trader.

The night air was heavy with the electricity that only a turquoise tuxedoed Salsa band could bring to a crowd ready to beat the heat with the hottest swinging on both sides of the equator. This was definitely not amateur night. Pandora was licking her lips with delight as she flashed her season pass and received the bright orange wristband that indicated that she was a paid-up member of the inner circle. Men's eyes rolled over her with unspoken desire that she would be their dance partner, solely, and more as the night went on. Pandora sashayed to the center of the floor. For the opening number she wanted to dance alone, to radiate as the center of attention.

Just as the musicians started to play the first note the heavens opened up. Thunder and lightening instead of music filled the air. It was the most sudden of summer storms, something that you could expect to happen in the country rather than in the city. There must have been a mischievous angel at work here. A hubris seeking bucketful of rain hit Pandora squarely. It knocked her flat to the ground. The band and crowd ran to the shelter of the glass lobbied concert and opera halls that enclosed the open plaza. When Pandora managed to get up she could feel that her dress was completely soiled, two dark stains outlined her buttocks.

Pandora, all alone now, sneezing and shivering, realized that instead of a knockout Marilyn Monroe she must have looked more like a drowned Minnie the Mouse. Cursing, Pandora just slithered away into the night.

Disappointment prevailed as couples started to leave. Some took off their shoes to splash in the puddles as they went off in search of other entertainment, a movie perhaps.

A sole heart was throbbing with unequivocal joy. In the dark recesses of the building overhang of Avery Fisher Hall, Aristotle Panayiotis stood with his wares. He breathed in the air now cleansed to sweetness by the falling rain. He mused about his garden and how the flowers would welcome Heaven's blessing. Each raindrop would be a caress. It would be a wonderful night to work on some more earrings or to paint or to read while the rain pattered against the windows, he reflected.

Aristotle had just given a homeless man ten dollars for a decent meal out of appreciation that he had a small but comfortable apartment to go to in Brooklyn later on. "Arie, how can we worship a homeless man on a Sunday, and then ignore them the rest of the week," his father taught him.

The first thing Aristotle would have to do when he got home was to rescue his pet Scottish terrier from underneath his bed. The storm would have frightened Achilles half to death. "Arie, we have to take care of the poor creatures that can't take care of themselves," his mother would always say.

To be sure, sometime in this good night Aristotle would gaze lovingly at the portrait he had done of his mother and father. He would also ponder the framed page from a Webster's dictionary next to that painting. Two definitions one right after another, both from the Greek, and both he had enlarged. He had discovered them a long time ago on one of the many days that he had stayed home from grade school to escape the taunts of the other children. That was the day he started to understand his place in the universe.

  • Kyphosis: abnormal backward curvature of the spine.

  • Kyrie eleison: a short liturgical prayer that begins with or consists of the words "Lord, have mercy."


To be sure, later in this blessed night Heaven would hear this humble man praise and thank God with thunder in his heart and lightening in his soul for his parents and the beautiful life that they had given him.

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(Article interests: McGraw-Hill (NYSE: MHP), Pearson Plc (NYSE: PSO), John Wiley & Sons (NYSE: JW-A, NYSE: JW-B), Scholastic (Nasdaq: SCHL), Courier (Nasdaq: CRRC), Noah Education (NYSE: NED), Peoples Educational Holdings (Nasdaq: PEDH), Amazon.com (Nasdaq: AMZN), eBay (Nasdaq: EBAY), Barnes & Noble (NYSE: BKS), Sotheby's (NYSE: BID), The Limited (NYSE: LTD), Books-A-Million (Nasdaq: BAMM), Borders Group (NYSE: BGP), HSN (Nasdaq: HSNI), Reed Elsevier NV (NYSE: RUK, NYSE: ENL), Meredith (NYSE: MDP), Dex One (Nasdaq: DEXO), Dolan (NYSE: DM), Martha Stewart Living (NYSE: MSO), Primedia (NYSE: PRM), Private Media (Nasdaq: PRVT), SmartPros (Nasdaq: SPRO), New York Times (NYSE: NYT), Washington Post (NYSE: WPO), McClatchy (NYSE: MNI), E. W. Scripps (NYSE: SSP), Media General (NYSE: MEG), Lee Enterprises (NYSE: LEE), Journal Communications (NYSE: JRN), Gannett (NYSE: GCI), Daily Journal (Nasdaq: DJCO), A.H. Belo (NYSE: AHC), Disney (NYSE: DIS), Time Warner Cable (NYSE: TWC), Time Warner (NYSE: TWX), News Corp. (NYSE: NWS, Nasdaq: NWSA), Bank of New York Mellon (NYSE: BK), New York Community Bancorp (NYSE: NYB), New York Mortgage Trust (Nasdaq: NYMT), New York & Co. (NYSE: NWY), Provident New York Bancorp (Nasdaq: PBNY).

Please see our disclosures at the Wall Street Greek website and author bio pages found there. This article and website in no way offers or represents financial or investment advice. Information is provided for entertainment purposes only.

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Tuesday, November 30, 2010

Fine Arts Column

fine arts column

Fine Arts Column



Wall Street Greek is pleased to provide our affluent readers with a new column covering fine arts topics for your entertainment and discovery. This column will not expand into the realm of fine art as alternative investment, but we will launch another column(s) for this purpose in the future. This complex thread of colorful content will bring our affluent readers more coverage of the topics that fill their evenings and weekends, and adorn their walls, studies and galleries. You can expect to find these entertaining works published on Friday afternoons or on the weekend.

This new section will cover all aspects of the fine arts, including but not limited to: painting, sculpture, antiquities, literature, and reviews of gallery openings, musical performances, theatre and film. Our Fine Arts Column will be open to cover all fine art forms and aspects of their study. Some of the topics the column may be expanded to could include installation, calligraphy, drawing, water color, graphics, lithography, printmaking, dance, ethnic art, architecture, and photography, to name a few.

We look forward to publishing works covering modern art of all sorts, including new branches of media art and even street art. We will cover fine art from all over the world, wherever creativity thrives and where we find it. Look for discussion of African works, the works of natives of North and South America, and the indigenous peoples throughout the world, including Inuit Art.

Our work will continue to derive from the columnists we have already introduced to you, and from new sources as well. You can still find the expert contributions of ancient art Scholar/Columnist, Collector & Dealer, Randall Hixenbaugh within our pages, and we hope to publish the contributions of other experts in antiquities and archaeology as well. We also look forward to publishing more works from our Original Art Print and Lithograph expert, Eric Travers, as well as the works of others in this field.

We are thrilled to have new writers on tap for you in the areas of literature, music, gallery openings and film. Short story writer Nicholas Zaharakos launches our efforts into literature, with a series of wonderful New York tales. We anticipate one or two poets may contribute soon as well.

We will continue to present our readers with an expanding list of important columnists covering interesting topics laid out by our clever editorial team. We expect to satisfy all aspects of your affluent interests. Your suggestions are always welcome as well.

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